Skip to main content

How Haiku Poems influenced Yoshiharu Katoh’s Porcelains


Table of Contents

Yoshiharu Katoh is a well-known figure throughout his native Japan, especially for his artwork and exhibitions. He is a master of the medium of fine porcelain and a wide range of Japanese styles of painting, from traditional inks to watercolors on silk. As a result, he has received several awards, such as the Porcelain Design Competition at Seto, the Gold Prize at the Nagoya Design Competition, and the President's Prize at the Seto Design Competition.

In his poetic vision, Yoshiharu aimed to introduce Japanese porcelain to the West through his collections of plates, which reveal different insights into life, beauty, nature, and philosophy that engineered the Japanese to create haiku poems hundreds of years ago. Below are a few of those pieces of porcelain with their different referents to Japanese culture.

Leaves


'Leaves' is a fine porcelain plate by Yoshiharu for collectors in Western society. It was inspired by the Japanese verse, 'Leaves' which is based on the ancient haiku poem by the poet Soseki. The 'Leaves' epitomizes the tranquillity and harmony of Japanese traditions in her fresh and colourful spring leaves.

O Leaves, ask the breeze

which of you will scatter first?

from the verdant trees.

A Butterfly


'A Butterfly' is another fine porcelain by Yoshiharu for collectors in Western society. The 'fragile wings' as well as the 'touch graceful hand' depict the tranquillity and harmony of old-world Japan. 'A Butterfly' porcelain plate is based on the ancient haiku poem by the poet Moritake.

A falling leaf thought I,

Fluttering back to the branch -

Was a butterfly.

Cherry Flowers


Yet, another fine porcelain collection by Yoshiharu is the 'Cherry Flowers' for collectors in the Western world. "As delicate as a lovely cherry flower, she epitomizes the tranquillity and harmony of traditional Japan." His porcelain plate of 'Cherry Flowers' is based on the ancient haiku poem by the poet Kyoshi.

The cherry flowers are now

In full bloom, and no petal

Flutters from the bough.

Orphan Sparrow


'Orphan Sparrow' is another Yoshiharu collection for collectors in Western society. 'Orphan Sparrow' is "an image of timeless beauty, she embodies the tranquillity and harmony of traditional Japan." This porcelain plate is based on the ancient haiku poem by the poet Issa.

With one another

Let's play; so, come, O Sparrow

Who has no mother?

PS: I bought four of these porcelains as listed above. After reading about the different visions for the porcelains and how for centuries, the haiku has informed the cultural and spiritual life of the Japanese, I was encouraged to share the above with you.

Comments

Popular posts from this blog

Who’s A Rebel? Camus’ The Rebel and the NigeriaSphere

In the contemporary Nigerian landscape, the word "rebel" is often weaponized by those in power. To the state, a rebel is a transgressor of the Cybercrimes Act, a "disturber of the peace," or an agent of destabilization. However, if we look through the eyes of Albert Camus, the 20th-century philosopher of the absurd, we find a different definition; one that validates the citizen’s cry for good governance not as an act of subversion, but as an act of profound affirmation. The Camusian "No": An Act of "Yes" Camus begins his treatise with a startlingly simple observation: "What is a rebel? A man who says no." But this "no" is not a denial of order. When a Nigerian citizen takes to social media to demand transparency or decry the absence of the rule of law, they are saying "no" to a specific limit that has been breached. Camus argues that in saying no, the rebel is simultaneously saying "yes" to the existen...

The Self-Alternating Theory: Why We Can Never Truly Be the Other

We live in a culture obsessed with the exercise of perspective-taking. We tell ourselves to "walk a mile in another person’s shoes," if our core self: our moral compass, our intellectual agility, our refined tastes, and our personal ethics remains intact during the journey. We imagine slipping into the lives of others like costume changes in a play: maintaining our internal "I" while operating the external machinery of someone else's life. The Self-Alternating Theory challenges this fundamental illusion. It posits a sobering premise: you cannot be the other, whether in their best or worst selves. If you were truly transplanted into another person’s existence: inheriting their exact neurobiology, trauma, muscle memory, history, and social incentives you would not reform their life from an enlightened, outside perspective. You would either collapse under the weight of an alien context or become the very thing you previously judged, admired, or misunderstood. ...

The Self-Alternating Theory (Part II): The Fractured Mirror of Context

In the first iteration of the Self-Alternating Theory, we dismantled the illusion of portable identity. We demonstrated that if you were transplanted into the life of a failed leader, a sex worker, a saint, or an elite athlete, you would not reform or master their world from an enlightened external perspective. You would either crumble under the weight of an alien context or absorb their exact trajectory. Part II extends this radical lens across the fundamental fault lines of human experience: relationships, race, geopolitics, physical embodiment, and the outer boundaries of species existence.                        The underlying principle remains absolute: we do not take our intact "I" into another person's reality. The reality reshapes, overwrites, or breaks the "I." Relational Systems: The Model Partner vs. The Toxic Household We routinely look at fractured marriages...

Names, Visions, and Imageries of the Crow tribe of Native Americans

Table of Contents The Crow: Who are they? Names, Visions, and Imageries Apsaalooke (or Absaroka) The Separations of the Bands The Mountain Crow (Ashalaho) The River Crow The Kicked in the Bellies Chiefs, Their Names and Meanings Chief Long Hair (Issheuhutskitu) Chief Sore Belly (Arapoosh) Chief of the Camp (Ashbacheeitche) Chief of Plenty Coups The rich cultural heritage of the Native Americans is subject to different interpretations beyond the actual meanings as understood by the natives. The Crow tribe’s names, visions, and imageries are not spared from these relative interpretations. It is claimed that these names, visions, and imageries denote exaggerations, triumphalism, or cultural symbolism. Also, their name can visually reveal the true meanings of descriptive language and metaphors or similes in words and expressions.   The objective of this writing is to examine these names and imageries to differentiate the Europeans’ interpretations of the names and lifestyle of the Cr...

Accessibility: from Philosophical Perspectives

Introduction This article aims to examine the concept of accessibility from some philosophical principles: Utilitarianism and the principle of ‘one and many.’ Doing this will bring to the fore the reason why accessibility is the cynosure of inclusivity. Understanding Accessibility Accessibility refers to the design of products, devices, services, or environments that are usable for everyone. It ensures that everyone, regardless of their abilities or limitations, can effectively interact with and benefit from a product, technology, environment, or service. The term ‘accessibility’ has its origin in French. It can be said to be borrowed from the French “ accessibilite ,” meaning “the quality of being able to be reached or accessed.” This French term might have been influenced by the late Latin accessibilis , from Latin accessus (past participle of accēdere , meaning “to approach”, “to enter”, “to access”, or “to log in.” According to Merriam-Webster Dictionary, the ...